Stories for a unique World
This group of shows that takes because their motivation the stories that form north mythology that is american yarns and fables owned by cowboys, Indians, voyageurs, spinsters, and big town Horatio Algers. They are stories that have been glamourized by popular tradition, and which exist in iconic proportions. Yet they have been reasonably young, flexible tales, a maximum of 200 years old. Dempsey and Millan flex them so that they mirror a perspective that is different. By imposing a lesbian that is ironic feminist reading/retelling upon these stories, they illuminate our history and our current, and produce alternate archetypes that propose brand brand new “new worlds. ”
The Quick Tale of minimal Lizzie Borden is just a piece that posits rage as being a justifiable, certainly rational psychological reaction to modern world occasions. There are two main elements for this work, a printed text this is certainly directed at the viewers become read at their leisure, and a performance that examines a woman’s anger that is modern. The narrative that is written the story of this childhood of Victorian murderess, Lizzie Borden, who had been accused of killing her moms and dads. Contrary to the print work’s nineteenth century, poetic design, the live concert tells an account of present-day kleptomania, grooming, and also the rush to war. Within an tirade that is irony-laden Dempsey describes why she steals women’s publications.
“This is certainly not a gun. It is not an axe. It is a hatchet. An inferior, scaled straight straight down, more feminine, less effectual variation. Maybe maybe perhaps Not an instrument, an accessory! And add-ons create interest. ”
Duration: five full minutes.
First performed: October 2001, Finding Feminisms seminar, Mentoring Artists for Women’s Art, Winnipeg, Manitoba
Printed text posted in Bedtime tales for the side of the global World, Arbeiter Ring Press, 2012
Photos by William Eakin and Elaine Stocki
Other real time pieces in the show range from the Headless Woman while the Lesbian Love tale for the Lone Ranger and Tonto. Skip Gray’s Marvellous Truth device exists being an installation and recording on plastic.
Winnipeg Tarot Company
The Winnipeg Tarot Co. And its particular hope and enlightenment professionals offered free tarot card readings throughout Winnipeg through the fall of 2010. Well-known music artists from many different procedures staffed the portable fortune-telling tent: Shawna Dempsey (performance musician), Sandee Moore (performance musician), Ian Ross (playwright), Ross McMillan (star), John K. Samson (musician and author), Caroline Gray (puppeteer and playwright), Rodrigo Munoz (musician), Maggie Nagel (star), Christine Fellows (musician) and Charles LeBlanc (journalist and star). Readings had been obtainable in Spanish, French, Japanese and English. The team of art-intuitives travelled from senior domiciles to shopping centers, the airport towards the hockey arena, for five weeks, making use of Winnipeg’s effective psychic emanations. The device of these trade had been a totally redesigned tarot card deck featuring sites that are well-known icons of Winnipeg, produced by Dempsey and Millan, illustrated by Bonnie Marin and designed by Mike Carroll.
The performance started at Portage spot Mall on Saturday September 25, 2010. Even prior to the tent ended up being put up, a two-hour line-up formed, including an octogenarian World War II war bride and her Canadian-born spouse, teens nevertheless awake type partying the evening prior to, a Latin American medical care worker on the solution to work, a businessman in a suit and connect, a greatly tattooed biker, as well as an architecture pupil. Only at that as well as all the venues, audience/participants originated from all walks of life to unburden by themselves and inquire concerns about the way and meaning of the life. The closeness involving the performers plus the participants at those brief moments ended up being profound. Even though the designers prefaced each session utilizing the terms, they were listened to“ I cannot read the future”, people brought their hopes and fears, and.
Payment for the service that is fortune-telling just accepted in tales about Winnipeg. Residents could also go right to the web site and possess an electronic card reading and type in their Winnipeg stories. Over the length of the task nearly 1000 tales had been gathered and soon after deposited within the Winnipeg Archives.
This Cultural Capitals task, commissioned by the Winnipeg Arts Council, tapped in to the secret and secret of our town, and created an intersection that is meaningful performers and residents to share with you our provided futures.
To possess your fortune read, hear a whole tale or keep a tale, head to http: //winnipegtarotco.ca.
Duration: 5 months
Performed: and October 2010, throughout Winnipeg, Manitoba, in coffee shops, parks, libraries, cafes, etc september.
Photos by Lorri Millan and Leif Norman
The ways that press has changed our relationship to language and activism is explored through thi first-person narrative into that the symbols of terrorism literally drop through the roof.
It’s estimated that next two hundreds of years, 40% of this world’s extant languages will no be contemporary modes longer of idea or phrase. During the time that is same “dominant” languages are devolving in to the brevity of marketing journalism. Sentence length is shrinking, and descriptives are noticed as superfluous. Using this de-languagification, idebecause in addition to countries are now being lost. These shows glance at the irony associated with known proven fact that, at any given time as soon as we have the methods to dialogue and advocate locally, nationwide and globally, we losing ab muscles language with which we communicate.
“The following performance contains no nudity, violence or language that is coarse. No pets had been harmed into the creation with this piece, with no meat will prepare yourself or consumed on phase. Be forewarned that you will see no strobe lights, fireworks or pyrotechnics of any sort, with no gunshots are going to be fired. What you are actually going to see will bore young ones, older people, and the ones of you in-between. Time will crawl by and you’ll curse the buddy whom brought you right right here. You are going to think about asking for the cash back, but that could need private connection with the performer and after that you might never move out of right here (look). No, tonight’s spectacle will in no means be dazzling. In fact the dazzling would be studiously avoided, which means this won’t be a lot of a spectacle at all. ”
Duration: 20 mins
First performed: October 2006, Studio XX, Montreal, Quebec
Photos by William Eakin